In the late nineteenth century in Rio a new musical style emerged that
would become one of the most creative musical manifestations in Brazil. Choro is
primarily an instrumental form, and to a North American ear might sound a little like a
small Dixieland jazz combo playing with strange rhythms, extreme melodic leaps, unexpected
modulations, and occasional breakneck tempos.
Choro
and jazz are both characterized by
their use of improvisation and mixtures of African and European musical elements.
Interestingly, choro's early development arguably predates that of both ragtime, which
first appeared in the 1890s, and jazz, which emerged at the start of the twentieth
century.
Excerpted from The Brazilian Sound: Samba, Bossa Nova
and the Popular Music Of Brazil (Temple University Press, 1998).
© Chris McGowan & Ricardo Pessanha, 1991 / 1998
Reproduction and web use not permitted without consent of the authors.
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