|
|
|
Sepultura
Bio, CDs,
Links
Heavy-metal band Sepultura (Grave) was
Brazil's most popular recording act internationally at the
end of the 20th century, with record sales rivalling those of
Sérgio Mendes and Brasil '66 in the late 1960s. The quartet
-- Max Cavalera
(vocals/rhythm guitar), his brother Igor Cavalera (drums), Andreas Kisser
(leader guitar), and Paulo Jr. (bass) --
came from Belo Horizonte in
Minas Gerais state and released
their first full-length album, Morbid Visions, in 1986. Their apocalyptic
intensity generated a cult following abroad, and their international audience
was expanded by their 1989 album Beneath the Remains (released by an
American label) and an appearance at Rock in Rio II (the 1991 follow-up to the
first event). Arise, launched that year, sold more than one million
copies worldwide. Two years later, their album Chaos A.D. addressed
social problems in Brazil and elsewhere. The song "Kaiowas" was about a tribe of
Amazonian Indians who had committed suicide rather than be moved out of their
rain forest home by the Brazilian government. "Manifest" was inspired by a
revolt of inmates in the Carandiru prison in São Paulo, in which more than one
hundred prisoners were massacred by police. "Biotech is Godzilla" included
lyrics by Jello Biafra, founder of the punk band Dead Kennedys.
Roots (1996) furthered the band's explorations and guested the Xavantes
Indians tribe on the track "Itsari." In 1997, Max Cavalera left Sepultura to
form his own band, Soulfly, and Sepultura continued without him.
Sepultura: Dante XXI (CD) After losing Max Cavalera to his own ambitions
in Soulfly, Sepultura brought in Derrick Green, and then seemed to stumble a
bit. But that’s not the case here. Dante XXI is a powerful record, on
that stands alongside of Sepultura classics like Beneath The Remains and
Chaos A.D.. Loosely based on Dante’s "The Divine Comedy" and clocking in
at less than 40 minutes, this is hardcore thrash with a literary bent. Using the
classic Sepultura speed metal churn, "City of Dis" burns along with a strong
vocal performance by Green. But it isn’t a one-note piece of music either, as
the band learned from their more experimental phase: "Fighting On" digs in with
a slower torch, while "Ostia" has a beautiful string instrument break. Many
people wrote the band off when Max left, but it would be a mistake to dismiss
this album, as the band has once again found the same intensity they showed in
their earlier years. --Robert Arambel
Sepultura Albums, A-Z
Against
Arise
Beneath The
Remains
Blood Rooted
Chaos A.D.
Morbid
Visions / Bestial Devastation
Roorback
Roots
Schizophrenia
Under A Pale Grey Sky
Primitive
Soulfly
|
|