|
|
|
Tati Quebra
Barraco
Tati Quebra Barraco: Boladona More Brazilian Funk Artists & CDs
Rio Baile Funk: Favela Booty Beats
Slum Dunk Presents: Funk Carioca
City Of God (Soundtrack
CD) In telling the story of two friends from a tough Rio de Janeiro barrio whose lives can never seem to escape the favela where they were born and raised, the acclaimed film by Fernando Meirelles and Kátia Lund has drawn comparisons to such modern touchstones as Martin Scorsese's GoodFellas. Taking his inspiration from the filmmakers' daring gambit to cast real people in the roles and the film's '60s-'70s milieu, composer Antonio Pinto (assisted by partner Ed Córtes) has concocted a smart, rhythmically intoxicating cocktail of Brazilian jazz and samba, shaken with a little '70s American funk and R&B and served with cool, tropical flair. Those various styles often melt into each other with a liberating sense of postmodern possibility, giving listeners an experience that's as exotic as it is deceptively familiar, the worthy equatorial flip side of Davd Holmes's jazz-funk collaborations with Steven Soderbergh on Out Of Sight and Ocean's Eleven. --Jerry McCulley
Samba Soul 70! In the late '60s
and '70s the funk and soul music of James Brown, Aretha
Franklin, and many other African American superstars sparked a
cultural awakening of black pride around the world. In Brazil that awakening
expressed itself in the music of young people of color from Rio to São Paulo,
who Brazilianized those North American styles into their own groove thang. The
result was a musical movement called samba soul, and this thrilling 16-track
collection offers a sizzling, seductive, and syncopated snapshot of the best
singles from the period. The genre emphasized snappy backbeats, deep and funky
bass lines, and jazz horn sections with tinges of salsa and homegrown samba.
Jorge Ben's uptempo "Cosa Nostra," performed by Erlon Chaves, was the anthem of
the era, and organist Ed Lincoln's pioneering De Savoya Combo, along with Trio
Mocoto, laid the foundations for the genre with their respective hits "Jogaram o
Caxanga" and "Que Nega e Essa." The musical range of Samba Soul reaches
from the CTI Records-sounding jazz fusion of Orlandivo's "Onde Anda o Meu Amor"
to guitarist Bebebto's discofied shoutout to Africa, "Princesa Negra de Angola,"
and the proto-bossa nova of Wilson Simonal's "Não Vem Que Não Tem." The great
Afro-Cuban conguero Mongo
Santamaria is given tribute on Som Tres's south-of-the-equator
boogaloo "Homenagem a Mongo." Today DJs from around the globe are sampling this
music, but with this disc you can dance and trance to the real thing: a truly
African American music on a hemispheric scale. --Eugene Holley Jr.
Black Rio: Brazil Soul Power It's late '60s,
early '70s Rio de Janeiro where, for a few glorious years in the sun-drenched
ghettos, the sun, samba & funk fused in a heady mixture of afros, black power
and huge funk parties catering to up to 10,000 people. This is the story of
Brazil's most forgotten movement - Black Rio. Black Rio mirrored the struggles
in North America, maintaining a particularly close link to the soul brothers in
Harlem. Artists like Tim Maia and Toni Tornado drew from the US soul and funk of
Motown, Stax and James Brown to create their own blend of 'soul brasileiro'.
Black Rio is compiled and annotated by DJ Cliffy, the man behind the successful
'Future World Funk' album series and club nights and the Brazilian club
'Batmacumba' at London's ICA. Package features extensive sleeve notes by Cliffy,
rare photos, club flyers and memorabilia. Strut. 2002. Groups & Artists
More Brazilian Funk & Soul at our aStore
|
|