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Da Lata
Serious First off, 'Songs From The Tin' will forever
be high on my list of CDs. That said 'Serious' follows its predecessor musically
and more so conceptually. First, as an open letter from the Third World to the
Western World. Second, it's a representation of the genre-busting and
cross-pollination that is the London music scene. The guest performers are
perfect examples of both points. As for the complaint over the African sounds in
the previous review, one only has to read history, listen to Brasilian music or
even the first Da Lata album to hear that African rhythms make up Brasilian
music. With that in mind, the album draws on the similarities between the two
cultures. The bittersweet duet of Nina Miranda and Baaba Maal on "Distracted
Minds" has Third World (Latin and African) voices
questioning the existential priorities of the "civilized" Western world. While
the brilliant Jhelisa (an American vocalist living in
London) croons her open letter of reluctance to Blair and Bush over broken beats
on 'Reeling'. Jhelisa and Nina team up to bring vocals reminiscent of
Sergio
Mendes and Brasil '66 on 'Something', taking a stab at emotional and material
consumption. The energetic rhythm of flute and beat on 'Firefly' has the
listener running through some place wild and peaceful.
Brasil is represented by Pedro Martin's vocals over a bossa nova track with
intricate guitar work and a semi- beat box vocal to keep the rhythm. The
production still blends the acoustic with the digital. 'Songs from Tin' (Yin)
was an album reflecting the innocent, hopefull, folkloric aspects of Brasilian
culture, Da Lata's follow up is a "Serious" (Yang) more tech-heavy, non
compliant response to a post 9/11 world climate.Their objective is still the
same- expand the musical blueprint and provide the soul with fresh honest music
that unites. It's a great world CD or a great electronic CD......For those
looking for more Liliana and Oli look for the Negrocan and Arakatuba albums. For
Nina Miranda check out
Arkestra One. --an Amazon reviewer
Remixes
Da Lata Can Lay Claim to Being a Kind of Brazillian Counterpart to Masters at
Work's Nuyorican Groove. Not Following Tradition While Being Respectful of It.
In the Summer of 2000, They Released their Critically Acclaimed Debut Album
'songs from the Tin' after Having Had Major Club and Dancefloor Action with the
Classic and Very Beautiful 'pra Manha', which is Still a Favorite with Most
DJ'S. 'da Lata Remixes' is a Compilation of Some of their Finest Remixes plus a
Previously Unreleased Track, 'golden'. The Album Includes Such Club Anthems as
Femi Kuti's 'beng, Beng, Beng', and Da Lata's Own Signature Tune 'ponteio'.
'golden is a Brand New Track which Has Been Remixed by Brazil's Hotly Tipped
Remixer/Producer
DJ Patife
and UK'S Finest Bugz in Th Attic.
--album description
Songs
From The Tin Chris Franck, the multi-instrumentalist behind Smoke City, and DJ Patrick Forge are the brains behind Da Lata, who really became known in 1998 with the single "Pra Manha," which made a big impact in dance clubs. Building on that success, the artists created a wild album whose textures reflect the light, subtle beats and accents of Brazil rather than the four-on-the-floor of dance music. Dierdre Dubois of Evoka helps out with vocals on the opening "Binti," but most of the singing comes from the smoky-voiced Lilliana Chachian. Strings and touches of brass help the arrangements soar, especially on "Rain Song" and the closer "The Tin Within." Like the late Suba, Da Lata came to Brazilian music from the outside without the restrictions of tradition, and they both impose their own ideas on the bossa nova and samba, letting the groove slide sexily around and allowing the hips to do the talking. Close to perfect. --Chris Nickson
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