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Lo Borges
Um Dia E Meio
Sonho Real
A Via Láctea With "A Via Láctea," Lô Borges had finally the
chance to show his talent. Okay, he was credited on the seminal album "Clube da
Esquina" and sang some of its songs, either solo or accompanying Milton
Nascimento, but he was seen as just a co-singer and composer. In this album, he
finally stands out. The first half of the record (the "Side A") is particularly
strong: I dare to say that among the first five songs, it's impossible to name
"the best": all of them are great. The maturity of the arrangements and
orchestrations revolving around an artist that was just 27 at the time is
stunning. Still, "A Via Láctea" always gets me with its mysterious chords and
strings. The second half of the record (the "Side B") is a little bit more
relaxed, something that can be listened on the tracks "Equatorial", "Chuva na
Montanha" (which has an enchanting guitar solo, a very sweet song) e "Olha o
Bicho Livre". There is also a rendition of "Tudo o Que Você Podia Ser" - but
alas, the 1972 version of "Clube da Esquina" is better. On the other hand, there
is "Vento de Maio" to compensate this, and it's sung both by Lô and Solange
Borges, which unfortunately hasn't recorded much since then as she is so gifted
as his brother. In short: for the lovers of brazilian music, particularly those
fond of the "Clube de Esquina" artists, this is a no-brainer.
--an Amazon reviewer
Milton Nascimento: Clube Da Esquina
2
Milton Nascimento & Lo Borges: Clube Da Esquina
Lo Borges: Nova Bis
Also See:
The
Brazilian Sound (U.S.)
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